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Jazz In The City at The Triple Door: Christian McBride Trio

Genre: Bassist , Jazz

  1. Thursday, May 12 8:00 PM (All ages)
  2. Friday, May 13 8:00 PM (All ages)
  3. Saturday, May 14 8:00 PM (All ages)

Bassist extraodinaire, composer, arranger, educator, curator and administrator, Christian McBride, has been one of the most important and most omnipresent figures in the jazz world for 20 years. Sometimes hard to believe considering this man is barely in his 40’s.

For over 20 years, McBride has appeared in numerous musical settings with just about any musician imaginable in the jazz as well as R&B and pop worlds. From playing with the likes of Milt Jackson, Roy Haynes, Chick Corea, Herbie Hancock and Pat Metheny; to playing with and/or arranging for the likes of Isaac Hayes, Chaka Khan, Lalah Hathaway, Sting and the legendary James Brown—what has always been unique about McBride is his versatility.

http://christianmcbride.com/

JD Hobson

Genre: Americana , Blues , Roots Rock

  1. Friday, May 27 9:00 PM (21+)

When Outlaw Country and Americana meet the Delta Blues you get a whole new genre. JD Hobson takes his Virginia Appalachian blues roots and combines it with Seattle’s Americana and rock scene, and a sound is created that has gotten people standing up to take notice.

 “Hobson's brand of bluesy Americana is steeped in rich outlaw tradition.” (Seattle Weekly Reverb Magazine)

Jeffery Austin w/ Whitney Monge

Genre: Pop

  1. Tuesday, May 03 7:30 PM (All ages)

Jeffery Austin is an up-and-coming pop singer and Finalist on season 9 of NBC's The Voice.

Following high school Jeffery gave up his musical aspirations to pursue a degree and career in public relations. After two years working in the corporate world and a six year hiatus from music, Jeffery took a chance and auditioned for season 9 of The Voice, landing a Blind Audition and a spot on Gwen Stefani's team. Working together with Gwen, Jeffery advanced all the way to the finale as one of the final four contestants for the season, the first ever contestant on Team Gwen to do so.

During his time on The Voice, Jeffery learned from top industry professionals to hone his craft as an artist and performer working with artists such as Gwen Stefani, Selena Gomez, Rihanna and Tori Kelly throughout the competition. Four of Jeffery's iTunes recordings ended in the Top 10 on the overall iTunes chart, accompanying millions of views on his YouTube performances.

In his time following the show, Jeffery Austin is pursuing a career in music, booking shows and writing songs in to eventually record an album.

http://www.jefferyaustin.com/

http://whitneymonge.com/

Jeffrey Foucault w/ Laurie Sargent

Genre: Singer-songwriter

  1. Wednesday, May 18 7:30 PM (All ages)

I first saw Foucault play in a little Missoula theatre years ago, when many of us who grew up spinning our elders’ albums—Townes and Dylan, John Prine and Greg Brown—wandered around dolorously wondering when the next real songwriter would come along. Stetson sweaty, that little vagabond spark in his eye, he spun out a long Beam-fueled set and when it was over I walked out into the warm rain and thought, Damn. So that’s where he’s been. Since then Foucault has given American poetry some of its most vital lines and his musical searchings have become touchstones of density and durability. On this new record—his most poignant, honest, even scathing—his cry is a belt of pure blue Wisconsin lake ice with a back of December sunlight angling through bare limbed birches. Not so much penned as lived, these songs—about a show played perfectly to an empty bar, the real ones who die with nothing half the time— offer listeners that rare artistic combination of a voice and a world. And while there’s nothing not lonely about these songs, you can’t hear them and feel remotely alone. Here is our hurricane lamp, the heart whose flame won’t go out, whatever the wind. Hold it close.

-Chris Dombrowski (from the liner notes to SALT AS WOLVES)

http://www.jeffreyfoucault.com/news.html


Jens Lindemann, Michael Brockman, Jeff Kready, Steve Moretti, Chris Thile, Jeremy Turner

Genre: Cabaret , Trumpet

  1. Friday, July 08 10:30 PM (21+)

BUY TICKETS HERE

Grammy Award nominee and trumpet virtuoso Jens Lindemann emcees a band of SCMS musicians, Chris Thile, Jeremy Turner, Steve Moretti, Jeff Kready, and Michael Brockman, for a genre-bending evening of music and merriment in this cabaret-style performance. The program will be announced from the stage at the performance.

The SCMS’ mission is to foster the appreciation of chamber music in our region by presenting performances featuring world-class musicians in accessible and inviting formats, with an emphasis on developing a broad-based sustainable audience through education and community outreach.

Each year and for 35 years, Seattle Chamber Music Society presents a winter festival in January and summer festival in July at the Illsley Ball Nordstrom Recital Hall at Benaroya Hall. In addition to its high quality performances, SCMS offers community engagement programs for adults, youths and the community-at-large to encourage audience appreciation and understanding of chamber music. These programs bring audiences of all ages in close contact with musicians and their music through informal, accessible and enjoyable formats.

 



Joe Doria Trio

Genre: Jazz , Organist

  1. Thursday, June 16 9:00 PM (21+)

NW raised Joe Doria has been composing and performing on Hammond Organ, piano, and varied vintage keys/synths since the 90’s. Steeped in Hammond tradition studying the giants of the instrument he also never limits himself to one style and can be seen working with new projects often. Featured in numerous bands and CD’s, Audiences are dazed with his ability to comp both the bass lines and the chordal structure of a song, while at the same time adding depth and dimension to every song he performs. At home and in touch with the Hammond, knowing the instrument and it’s history so well as to make it sing in any situation.

The Joe Doria Trio is: Chris Spencer, Byron Vannoy and many varied NW artists.

Joey Jewell’s Sinatra at the Sands With Jim Kerl’s Swingin’ Sixties Orchestra

Genre: Big Band Jazz

  1. Saturday, August 27 8:00 PM (All ages)

"Sinatra at The Sands" is nothing short of a swingin' time trip back to the Las Vegas Strip. Joey Jewell's performance is true to the incomparable phrasing and vocal texture of Frank Sinatra and evokes the swaggering spirit of Ol' Blue Eyes and Vegas in their heyday. And Jim Kerl's Swingin Sixties Orchestra has the energy and excitement to keep you going all night, wonderfully smooth and sophisticated arrangements, and the musical chops and passion to play it all. The show is smart, funny, and a wonderful tribute to the lost art of livin' it up. You'll feel like you're in "The Big Room" at the Sands and life is good. -Dan Murphy, Operations Manager, KIXI Radio

http://www.joeyjewell.com/index.html

Jonatha Brooke

Genre: Folk Rock , Singer-songwriter

  1. Tuesday, October 04 7:30 PM (All ages)

Jonatha Brooke has written songs, made records and toured since her days in Boston with The Story. The Story released two albums, Grace in Gravity and The Angel in the House, on Elektra Records. In 1995, Jonatha released Plumb,  the first of two solo albums on MCA/Universal, followed by Ten Cent Wings in 1997.

In 1999 she started her own independent label, Bad Dog, and has since released six more albums. Her 2008 release, The Works, combined previously unheard, unpublished Woody Guthrie lyrics with her own music and arrangements. Recently, she’s co-written songs with Katy Perry and with The Courtyard Hounds. Jonatha has written for three Disney films and several television shows, and has composed the theme song for Joss Whedon’s, Dollhouse.

From 2010 to 2013, Jonatha took a touring hiatus, to write and develop her one-woman play, My Mother Has 4 Noses, a mother-daughter love story about her mother’s battle with Alzheimer’s disease. In 2014, ‘4 Noses played for ten weeks, at The Duke Theater on 42nd Street to rave reviews — “Devastating and gorgeous. A poignantly funny, beautifully created narrative” (New York Times). A ground-swell of social networking and community support followed. The newly released companion recording, of the same name, landed in the top 50 Albums of 2014 by ABC Entertainment.

Joseph Arthur w/ Lee Harvey Osmond

Genre: Singer-songwriter

  1. Thursday, May 19 7:30 PM (All ages)

For every song Joseph Arthur has released in a critically acclaimed, Grammy-nominated career that has spanned nine full-length albums and 11 EPs, he’s probably kept three others in the vault for safekeeping. Indeed, Arthur has been known to start working on a new album — or two — while simultaneously trying to finish another.

It was amid this abundance of riches that the Brooklyn-by way of Ohio-native began molding a collection of music under a single narrative thread: The Ballad of Boogie Christ, described by Arthur as “a fictionalized character loosely based on my own journey.”

At first, it was a song here or there, or a set of lyrics with no accompanying music. Then, those songs would get recorded and set aside. They’d get re-recorded and revised. They’d start to make sense in relation to their brothers and sisters, and then they wouldn’t. And pretty soon, more than half-a-decade had flown by and Boogie Christ was no closer to coherency.

“For some reason, I’ve been avoiding finishing this record for a long time,” Arthur says with a laugh. “It’s been an albatross around my neck. I don’t know why, but it has.”

Yet despite its labored birth, The Ballad of Boogie Christ has defied the odds to become another essential cornerstone of Arthur’s robust discography. Encompassing sessions put to tape in upstate New York, Los Angeles, Minneapolis and Arthur’s own Brooklyn studio, the 11-song album showcases the artist’s signature rich storytelling set to a diverse range of rock’n’roll.

“I don’t know that there’s a beginning, middle and end to the story, but there are definitely experiences, situations and perspectives that point in those directions,” says Arthur. “I wanted to let the listener fill in some of the blanks without telling the whole story in a straight-ahead way.”

The album begins with the surprising orchestral pop of “Currency of Love”, on which Arthur unveils a passionate croon unlike any vocal performance he’s ever given. From there, Boogie Christ offers epic affirmations on overcoming addiction (the seven-minute closer “All the Old Heroes”), anthems of open-hearted solidarity (“Wait for Your Lights”, “It’s OK To Be Young/Gone”) and the kinds of slow-burning narratives (“Famous Friends Along the Coast”, “I Used To Know How to Walk on Water” and a reimagined, hymn-like version of his standout, “I Miss the Zoo”) that have won Arthur a legion of fans around the globe.

Songs like “Black Flowers”, “I Used To Know How to Walk on Water” and the title cut were recorded several years ago with help from the Band’s legendary keyboardist Garth Hudson and bassist Catherine Popper (Ryan Adams, Jack White), while newer additions to the track list such as “Currency of Love” and “Saint of Impossible Causes” were crafted in Los Angeles with assistance from Chris Seefried (Fitz & the Tantrums, Lana Del Rey). Among the other guests on Boogie Christ are Ben Harper (Arthur’s bandmate in Fistful of Mercy), session drummer extraordinaire Jim Keltner, Joan As Policewoman leader Joan Wasser and composer Paul Cantelon (Oliver Stone’s W., Julian Schnabel’s The Diving Bell & the Butterfly).

“There are certain moments on the album that are just pop music and sugary,” Arthur says. “I didn’t want it to be this diatribe of heaviness, and it had been like that sometimes. I definitely wanted moments of relief within it, where you just get a good jam.”

At the center of the project is the autobiographical “King of Cleveland,” a classic story song that connects Boogie Christ the character with Arthur the flesh-and-blood artist. On it, the narrator apprentices alongside a big fish in a small pond, “playing blues in the back seats, from biker bars to limousines” — much like Arthur did in his early professional career in Northeast Ohio. Says Arthur, “He’s just starting to live the life he’s imagined, playing roots boogie in the real America — Ohio.”

“I’ve heard David Bowie talk about how Ziggy Stardust and some other records were the beginnings of screenplays that he just never finished,” he says. “I could really see this becoming something deeper and bigger than just an album.

“Chuck Prophet reminded me that there’s always the Great American Novel,” he continues. “And that really stuck in my head about Boogie Christ. That’s what I’ve been wanting to achieve with this album. He encouraged me that it was okay to dream big.”

http://www.josepharthur.com/

http://leeharveyosmond.com/

Jr Cadillac w/ guests Little Bill Englehart and Rod Cook

Genre: Classic Rock

  1. Saturday, August 20 8:00 PM (All ages)

Jr Cadillac's guest tonght will be the legendary Little Bill Englehart and guitarist, Rod Cook (Best Blues Guitarist this year's award winner)!

For the fans: To paraphrase George Burns, “We can't die, we're booked!” We are ready, willin' and able to change the oil and get the Caddy out for our 2016 Summer tour, our 46th year of rockin' the Northwest!!! And the best is yet to come... Our 46th birthday party is already set for Sat, Aug 20 at The Triple Door, Seattle's best live music venue... and we are planning on having a ball with y'all. Other gigs are falling into place... check our Gigs page for details on pending and already booked, signed, and sealed Jr Cadillac concerts and dance parties this coming summer, such as the Ellensburg Jazz in the Valley Festival. We look forward to seeing you there! Nothin' Could Be Lackin'...!!

http://www.jrcadillac.com/

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Triple Door

216 Union Street
Seattle, WA 98101
Tickets 206.838.4333

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