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Marco de Carvalho Trio

Genre: Brazilian , Guitarist

  1. Wednesday, July 22 8:30 PM (21+)

Marco is a Brazilian musician, originally from Rio de Janeiro.  He graduated from the prestigious Music Conservatory of Rio de Janeiro under Juarez Carvalho and Sergio Vale. He studied composition and harmony under Luiz Eca and Ronaldo Miranda.   

Marco began playing guitar at the age of 14 and played in clubs, universities, and festivals throughout Brazil, USA and Europe.

Marco has been a performance guitarist, composer and arranger for twenty-five years. He plays an extensive repertoire of music from Rio de Janeiro as well as his own compositions.  Marco has played with many musicians in Brazil and the USA.  He has recorded on numerous CDs and sound tracks also producing and arranging. 

Marco has played at a number of Seattle performance venues and events and theatres including: Jazz Alley, Triple Door, Bumbershoot, Governor’s Mansion, Northwest Guitar Festival, Benaroya Hall,  Ballard Jazz Festival, Teatro Zinzanni, Mondello, Miyabi, Argosy Cruises and many others as well in other states of U.S.  

Marco has recorded three original CDs: Paisagens (out of print), For the Moment (released on OA2 Records), and Cancoes (out of print). Please contact Marco to purchase a copy of "Paisagens" and "Cancoes".

http://www.amazon.com/dp/B000QR3CGG/176-0398718-1805742?_encoding=UTF8&*Version*=1&*entries*=0

Marty Balin (of Jefferson Airplane)

Genre: Everything , Rock

  1. Saturday, June 13 8:00 PM (All ages)

“Marty was the one who started the San Francisco scene”, says Bill Thompson, Balin’s roommate back in the mid-’60s and former manager of both the Jefferson Airplane and Jefferson Starship. “Back in those days Marty was quite the businessman” said Paul Kantner. “He was the leader of the band on that level. He was the one who pushed us to do all the business stuff, orchestrating, thinking ahead, looking for managers and club opportunities. He was very good at it”. The Jefferson Airplane, initially a folk-rock venture, came to epitomize the psychedelic scene, scoring a gold record with their 1967 second album, Surrealistic Pillow. Balin’s soulful tenor proved a pivotal element of their sound. He also wrote key compositions including “It’s No Secret” “Today,” “Comin’ Back To Me” “Plastic Fantastic Lover” “Share a Little Joke,” and “Volunteers.”

“In my formative rock days, Bill Graham was my manager, and you couldn’t have a better teacher.” – Marty Balin At the end of 1978, after contributing several major hits including “Miracles,” “With Your Love,” “Count on Me,” and “Runaway” with Jefferson Starship, Marty left the band. In 1981, he released his first solo album, Balin, featuring two Top 40 hits. “Hearts” and “Atlanta Lady.” This was followed in 1983 by a second solo album. Lucky, along with a Japanese-only EP called “There’s No Shoulder.” After touring the world, Marty came home to San Francisco in 1984. 1989 a reunion album and tour with Jefferson Airplane followed. The people who saw the live shows saw the real Airplane. We did not let down the legend.”

http://martybalinmusic.com/



Meklit Hadero

Genre: Singer-songwriter

  1. Saturday, June 27 8:00 PM (All ages)

If Joni Mitchell were East African, sang duets with Norah Jones and met Nina Simone for tea in San Francisco, it just might remind you of MEKLIT. Born in Ethiopia, based in San Francisco for the past nine years, singer/composer/cultural activist Meklit became a sensation with the release of her debut “On a Day Like This ” in April 2010. An enchanting album featuring luminous, original songs, and some traditional Amharic music as well. It got rave reviews across the board. NPR called Hadero’s sound, “a unique blend of jazz, Ethiopia, the San Francisco art scene and visceral poetry ; it paints pictures in your head as you listen.”  PBS said “You’ll hear hints of Billie Holliday, Tracy Chapman and Joni Mitchell in her music but Hadero is her own unique creation.” And the San Francisco Chronicle called Meklit ”...an artistic giant in the early stages. She is stunning.”

http://www.meklithadero.com/

Michael Owcharuk Quartet

Genre: Jazz

  1. Wednesday, June 17 8:30 PM (21+)

Michael Owcharuk is a composer, pianist, accordionist, and educator living and working in Seattle, WA. His great love of the wide world of music compels him to work in many genres, including but not limited to: jazz, new music, modern chamber and orchestral music, classical, Slavic folk, rock, pop and music for dance, theater and film.

Michael co-directs the Seattle Jazz Composers Ensemble, leads the Michael Owcharuk Trio, and is a member of Beth Fleenor’s Workshop Ensemble and Crystal Beth and the Boom Boom Band.  In addition he is a ballet accompanist at Belltown Ballet Studio and works as a sideman/pianist/accompanist collaborating with a diverse range of artists.

He holds a Bachelor of Music from Cornish College of the Arts and has received support for his music from 4Culture, The Seattle Mayors Office of Arts and Cultural Affairs, and Jack Straw Productions.

Michael and his music have been featured on/by: NPR, KEXP, KBCS, Seattle International Film Festival, Bumbershoot, Earshot Jazz, 14/48 The World’s Quickest Theater Festival, the Seattle Rock Orchestra, the Bushwick Bookclub Seattle, Karin Stevens Dance, and by many other venues and organizations in the Pacific Northwest.

“Michael Owcharuk is a very talented and entertaining pianist who has collaborated with almost all of the leading figures in our productive and accomplished jazz scene. His play has an experimental edge coupled with a strong sense of swing…you can expect to hear jazz mastery.”

- 2014 – Charles Mudede, The Stranger.

www.owcharukmusic.com/

Michaela Anne (Brooklyn, NY)

Genre: Americana , Country Rock , Roots Rock

“Her lovely new record, 'Ease My Mind', full of plain-spoken songs of romantic regret and small-town longing written by her and sung in a sweet voice.” -




"Stunningly introspective.” -




"Austin 100" - top bands at SXSW 2014 - NPR 





Nearly Dan

Genre: Jazz

  1. Friday, May 29 7:00 PM (All ages)

Based in Seattle Washington, Nearly Dan is made up of 12 national musicians who share a distinctive passion for the music of Steely Dan —revered for inventive music-making, jazz-infected lush harmonies and their own lyrical color.

The individual Nearly Dan members come from across genres—from rock, R&B and country to fusion, swing and jazz—and have received training at institutions from Berklee College of Music in Boston, to University of Washington and Cornish College of the Arts in Seattle. Endorsed by the company they keep, this group’s musicians have performed with greats such as Ray Charles, George Benson, Diane Schuur, Lou Rawls, Basia, Huey Lewis, Tower Of Power, The Four Tops, The Temptations, Tito Puente, Natalie Cole, Sammy Davis Jr., Gladys Knight, Julio Iglesias, and Roberta Flack. Perhaps the best part of this band is that it doesn’t suffer fools gladly. Anyone who knows the music of Steely Dan, also knows that only fabulous musicians can pull it off!

http://www.nearlydan.com/index.html

Nellie McKay w/ Ben Ballinger

Genre: Singer-songwriter

Nellie McKay has won a Theatre World Award for her portrayal of Polly Peachum in the Broadway production of The Threepenny Opera and performed onscreen in the film PS I Love You, as well as writing original music for the Rob Reiner film Rumor Has It and contributing to the New York Times Book Review.  Her music has also been heard on the TV shows Weeds, Grey’s Anatomy, NCIS, Privileged and Nurse Jackie, and Nellie has appeared on numerous TV shows including Late Show with David Letterman (with the Brooklyn Philharmonic), The View, Late Night with Conan O’Brien, Late Late Show with Craig Ferguson, Live with Regis & Kelly and CBS Saturday Morning.  In 2010, the Chase Brock Experience produced a ballet of her third album, Obligatory Villagers, while Nellie recently finished contributing to the soundtrack for the HBO series Boardwalk Empire.  Home Sweet Mobile Home is McKay’s latest album of all-original material and features the musical wanderlust, lyrical playfulness and unique point of view that has characterized her music since her breakthrough debut Get Away From Me.

A recipient of The Humane Society’s Doris Day Music Award in recognition of her dedication to animal rights, Nellie is known as an outspoken and fierce advocate for feminism, civil rights and other deeply felt progressive ideals.

This spring, Nellie premiered her latest project, “I Want to Live!” the “brilliant, zany film-noir musical biography” (New York Times) of Barbara Graham, the third woman to die in the gas chamber at San Quentin, “McKay’s virtually unlimited gifts as a singer, songwriter, actress, pianist, ukulele player, mimic, satirist and comedian into a show that is much deeper than its surface might suggest…In the most lighthearted way they evoke a heartless environment of social injustice in which people who fall through the cracks are invisible to everyone else” (New York Times).

http://www.nelliemckay.com/

Nightcap at The Triple Door: L’Edition Noire

Genre: Burlesque , Cabaret , Dance

An explosion of never-before seen works of dance and burlesque starring Perle Noire and House of Verlaine.

This edition of Lily Verlaine’s long-running Nightcap series features the debut of House of Verlaine: An Exquisite Assemblage of Daring Classical Artists.  The company will push the boundaries of burlesque and ballet by bringing to life the hedonistic classical fantasias that live in the mind of artistic director Lily Verlaine.  The company is graced by of some of Seattle’s most accomplished and exciting classical dancers, including Tory Peil, Lara Seefeldt and Thomas Phelan of Whim W’Him, Shadou Mintrone and Davione Gordon of Spectrum Dance Theater, Marissa Quimby and Natascha Greenwalt of Coriolis Dance and Sylvain Boulet  (also known as the fabulous Paris Original.) 

This performance features risqué variations on classical ballet, including Afternoon of a Faun, Tales From the Vienna Woods and Gaîte Parisienne.  The evening also features the revival of Lily’s critically-acclaimed L’Histoire de Melody Nelson, “A spectacle that must be seen to be believed”-Burlesque Saattle Press

The company is joined by Perle Noire who will be debuting two new pieces. Perle's unique and dynamic style has earned her a spot with Dita Von Teese’s Strip Strip Hooray Tour and numerous awards from the Burlesque Hall of Fame which include, Best Debut Performer (2008), 2nd Runner-Up Overall Performance (2009) and Most Dazzling Performer (2012). Perle was crowned the first ever Queen of Burlesque at the New Orleans Burlesque Festival 2009. She also landed the #2 spot in the Top 50 Burlesque Performers Worldwide list in 2015. With a combination of glamour, seductive choreography, and stage presence, she receives a standing ovation whenever and wherever she performs.  She is, " The Mahogany Queen of Burlesque”.

Don’t miss this one-night only opportunity to witness burlesque at its most elevated and ballet at its most audacious.

www.lilyverlaine.com


Ottmar Liebert & Luna Negra

Genre: Flamenco , Guitarist

  1. Wednesday, August 12 7:30 PM (All ages)
  2. Thursday, August 13 7:30 PM (All ages)
  3. Friday, August 14 7:00 PM (All ages)
  4. Friday, August 14 9:30 PM (21+)

Liebert’s incredible global success on a musical level often seems like a simple outgrowth of his cultural background and powerful wanderlust in his formative years. Born in Cologne, Germany to Chinese-German father and Hungarian mother, he began playing guitar at 11, and traveled extensively through Europe and Asia intent on fully absorbing each musical tradition he encountered. After pursuing his Rock and Roll dreams first in his native Germany and then in Boston, he abandoned the frustrations of the East coast and settled in Santa Fe, New Mexico.

By 1989, he had founded the first incarnation of his new band Luna Negra. Nouveau Flamenco began life as a self-produced local release called Marita: Shadows and Storms, copies of which local Indian artist Frank Howell distributed in his art galleries. When the record found its way to radio stations and began generating a buzz among programmers and an unprecedented response among listeners, Higher Octave Music picked it up and released a fully remastered version.

“I was honestly happy playing this music in hotels and restaurants in Santa Fe, and going in one year from doing that to opening for Miles Davis was a pretty intense jump,” he recalls. “Most shocking for me was to realize how many different people from so many diverse cultures embraced it. I still get letters from fans in Europe, South-America, Australia, and Asia...it’s been a really gratifying experience. I’ve had the opportunity to play in a wide variety of cultural settings with musicians from around the world, and that has been a great experience, too.”

Sound Check

Liebert has since become one of the most successful instrumental artists of the past decade, thrilling audiences throughout the world and releasing a catalog of classic recordings, including the remix collection Euphoria (1995), the live album Viva! (1995), the double CD Opium (1996) and the classical-oriented orchestral album Leaning into the Night (1997). He wrapped up his decade with Epic with 2001’s Little Wing and went back to Higher Octave Music, releasing a lush album of lullabies called In the Arms of Love in 2002 and an album with Luna Negra XL called The Santa Fe Sessions (2003).

La Semana (2004) was the first all-new band album in five years, followed by Winter Rose (2005), which featured original pieces, classical music and christmas songs. In 2006 Liebert's record label SSRI released One Guitar, his first solo guitar recording, which received Liebert's fourth nomination for a Grammy. His newest releases are Up Close (2008), which is a binaural dummy head surround sound recording, and The Scent of Light (2008) a labor of five years.

http://ottmarliebert.com/



Over the Rhine – acoustic

Genre: Adult Alternative , Singer-songwriter

  1. Saturday, August 29 8:00 PM (All ages)
  2. Sunday, August 30 8:00 PM (All ages)

When you listen to Over the Rhine, the supremely talented wife-husband duo of Karin Bergquist and Linford Detweiler, you quickly fall under the spell of Karin’s compelling voice, ethereal and earthy at once, and then you notice their subtle, satisfying arrangements, all the instruments so exquisitely balanced, and finally the lines of the songs start hitting you. Paste Magazine praises their “lovely, heartbreaking, and ultimately uplifting musical mosaic.” TheWashington Post applauds their “understated, country-tinged charm.” The Wall Street Journal describes their 2013 album, Meet Me at the Edge of the World, as “subtle and elegant, with airy musical arrangements and breathtaking vocal harmonies that fit the title of the album.”

http://overtherhine.com/


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